Blog

This is a blog about various design and technology subjects.

Stereoscopy

Behold One Rose my submission to the Sebastopol Center for the Arts 2017 Members Show Small Work, Big Deal. In the style of a Victorian parlor amusement, the digital print of a rose is presented as a stereograph against a black velvet background surrounded by a cheesy gold frame, along with an equally tacky gold chain supporting a set of 3D viewing glasses. It is a modern example resulting from the history of stereoscopy.

Demarcation

In the world of art materials, things keep getting better and better. 100,000 years ago, in Blombos Cave in South Africa, a complete toolkit for grinding pigments and making a primitive paint-like substance has been recently discovered. Egyptians mixed pigment with gums or animal glue, which made them workable and fixed them to the surface being decorated over ago, and they still possess their brilliant color 2,000 years later. We have come a long way.

Distortion

Aluminized mylar is interesting stuff. Widely used for decorative purposes and food packaging, it is a polymer film coated with a thin layer of aluminium. The metallic helium filled novelty balloons given as gifts are made of aluminized mylar and often called mylar balloons commercially. It is also used as an insulating material and to confine gas in detectors and targets in nuclear physics.

Comprehension

Aoccdrnig to rscheearch at Cmabrigde Uinervtisy, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be in the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit  a porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe.

Framework

In choosing a font for the current series of cryptographic paintings, I settled on one of the more durable and popular typefaces, Caslon. Created during 1725 by William Caslon at his foundry in Sheffield, England, it was based on some of the current Dutch fonts of the time, and includes well-developed serif characters that aid in legibility and aesthetic value.

Displacement

Video has come a long way since the Portapack of the 1970’s. In the tradition of snapshots and 8mm family movies, it was all about convenience and preserving those memories before they slipped into the eternal void of forgotten sentiment. By the time digital video appeared, the idea of “video art” was a done deal. Most innovation was being swept up by special effects companies and used to provide the instantaneous golly gee reactions for breaking news report graphics and bizarre multidimensional sci-fi aliens.