Movement
Eurythmy is an expressive movement art originated by Rudolf Steiner in conjunction with Marie von Sivers in the early 20th century. Primarily a performance art, it is also used in education and as a movement therapy. The word eurythmy stems from Greek roots meaning beautiful or harmonious rhythm. The term was used by Greek and Roman architects to refer to the harmonious proportions of a design or building.
The gestures that build the basic movement repertoire of a eurythmist are connected to the sounds and rhythms of language, to the tonal experience of music, to fundamental soul experiences such as joy and sorrow. Once this fundamental repertoire is mastered, it can be composed into free artistic expressions. The eurythmist also works to cultivate a feeling for the qualities of straight lines and curves, the directions of movement in space, contraction and expansion, and color.
The element of color is also emphasized both through the costuming, usually given characteristic colors for a piece, and formed of long, loose fabrics that accentuate the movements rather than the bodily form, and through the lighting, which saturates the space and changes with the moods of the piece. Copper eurythmy rods and copper balls are used in various eurythmy exercises, including therapeutic exercises.
Eurythmy’s aim is to bring the artists’ expressive movement and both the performers’ and audience’s feeling experience into harmony with a piece’s content. Eurythmy is thus sometimes called visible music or visible speech, expressions that originate with its founder, Rudolf Steiner, who described eurythmy as an art of the soul.
When performing eurythmy with music, the three major elements of music, melody, harmony and rhythm, are all expressed. The melody is primarily conveyed through expressing its rise and fall, the specific pitches, and the intervallic qualities present. Harmony is expressed through movement between tension and release, as expressions of dissonance and consonance, and between the more inwardly directed minor mood and the outwardly directed major mood.
Breaths or pauses are expressed through a larger or smaller movement in space, giving new impulse to what follows. Beat is conveyed through greater emphasis of downbeats, or those beats upon which stress is normally placed. Beat is generally treated as a subsidiary element, expressed through greater emphasis on the down beats. Eurythmy has only occasionally been done to popular music, in which beat plays a large role.
The timbre of individual instruments is brought into the quality both of the tonal gestures and the whole movement of the eurythmist. Usually there will be a different eurythmist or group of eurythmists expressing each instrument, for example in chamber or symphonic music.
Eurythmy is used therapeutically, normally on the advice of a physician, to compensate for somatic or psychological imbalances. The aim is to strengthen the organism’s salutogenic capacity to heal itself. Eurythmy has also been used in many social contexts, including workplaces and prisons, with the aim of rejuvenating individuals and their social relationships.

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